Jaisalmer Gyaan Centre x St+Art India

In this mural, artist Svabhu Kohli designs the desert night sky for the students of Grade 6 at the Rajkumari Ratnavati Girls’ School in Jaisalmer, India. The artwork blends the sky and Earth, featuring a coming together of plants, animals, insects, and an array of colours—from blues to pinks, from golds to silvers—making the night time come to life, inviting a fascination toward what lights up the dark skies.

Centered within the mural, constellations serve as an open invitation for students to explore and unravel the mysteries of starry formations. Alongside the moon cycle and desert constellations, a third circle depicting the solar system orbits, aiding students in understanding the sky's movement.

Amidst this celestial display, moths and creatures bask under the moonlight, symbolising the nocturnal ecosystem's delicate balance and play, and a provocation that seeks to adventure into the unknown.

Project supported by: Infosys & Citta India Gyaan Centre
Paints supported by: Asian Paints
Photo credits: Sohil Belim

A portal encased in a heart chamber - My first mural takes a fantastical view of Goa’s geological identity and celebrates her diversity of habitats and species - focusing on the interconnectivity of ecosystems with some of the rarest beings who find their home here along with ancient settlements/cultures that have thrived on these lands.

From enchanting coral reefs to the rich forests of the Western Ghats to the abundant rivers that bring life to this land - The artwork encases the numerous species and habitats into a human heart chamber that connects the health of our lives to our ecosystems.

Explorers wander this enchanted land witnessing the rare Luna Moth, Bryde's Whales, Giant squids, Coral species, Nudibranches, Sunbirds, Dragonflies, Turtles, Snakes, Ancient Petroglyph's and the mystical night skies that adorn Goan skies at night.

Nestled in the eight hottest biodiversity spheres of the world, the mural hopes to focus on the potential Goa can harness through planning green economies considering the abundance of flora and fauna the land offers - Especially coming from the pressures of Tourism, Mining and Housing bodies have burdened on India’s sunshine state.

St+Art Goa / Serendipity Arts Festival 2019
Assisted by 1Stroke and Bawri Nazrein

Hunt in the forest

The fear to feel excluded from the purely natural feels like an intruder in the plots that man has intervened and nature has resumed. – Curro Rodriguez

The last standing native landscapes we think are natural and untouched today have been managed and guarded for centuries by tribes and indigenous cultures that weaved their way of life in tune with nature. They sustained from its riches in the form of food to medicine and protected it by identifying pockets of the forest that were the heart to its survival – these pockets are where they believed the spirit of the forest resides and as a form of worship allowed the spaces to flourish without any human interference. Every being inhabiting these forests was contributing to the spirit of the grove, allowing life and man to become a part of this delicate symbiosis.

These rich biodiverse pockets identified as Sacred Groves are what have sustained the unique native flora and fauna – built from the knowledge passed over millennia, and a deep relationship its people have cultivated and shared with the forest.

In my work, I explore the relationship of the hunters that received from the forest and the same hunters that helped in the survival of the forest.

With native lifestyles and indigenous knowledge regressing rapidly in the face of unsustainable socioeconomic transformation and materialistic consumption patterns of today– what relationship will we share with the forests that we have inherited as today’s generation?

Exhibited at Gallery Ark, Baroda as part of Graphic Content 2019

Aquarium I
Acrylic Paint on multi-Layer of Acrylic Sheet and Paper
24.0 x 28.0 in

Aquarium II
Acrylic Paint on multi-Layer of Acrylic Sheet and Paper
12.0 x 17.0 in

Aquarium III
Acrylic Paint on multi-Layer of Acrylic Sheet and Paper
12.0 x 17.0 in

Each aquarium features a wide range of interconnected habitats and species that come together to form a biodiverse universe embraced by the huntsmen and their culture.

The winds and rocks tell stories of bygones.

48ft x 12ft long mural commissioned as part of the Meta Open Arts program for the Meta Office entrance in Bandra, Mumbai

One of the most densely populated cities of the world - Mumbai, unexpectedly, paints a surreal landscape where rich ecosystems and astonishing biodiversity unravel itself between a densely packed and ever-growing metropolis.

Sitting in a unique geographical location between the ancient ranges of the Sahyadri’s at one end and the Arabian Sea on the other - This thronging region, beyond its 22 million human inhabitants shares its home with many species and beings that go beyond what one would scale to imagine.

Fragments of biodiverse habitats, home to a staggering range of wildlife and marine life continue to thrive in nestled pockets which the city has not managed to consume yet.

From surreal tide-pools that emerge in front of shimmering skylines to a wild forest in the heart of the city that’s home to a numerous amount of leopards, to migratory flamingoes that paint the sprawling grey city into vibrant hues of pink, to an ocean that glitters to bioluminescent plankton blues; Mumbai has a story to tell of coexistence.

On a drastically changing planet where nature and man continue to find themselves distant from each other a unique friendship awaits to be experienced in Mumbai.

For so much still remains to be discovered.

Increasing urbanisation, sedentary lifestyles, virtualisation of social relationships, the climate crisis, skyrocketing inequality have all led to an escalation of stress and anxiety on the global population.

This was made even more apparent when we were locked up into our spaces - dreaming of a natural world as Covid19 ravaged the world.

So when did our cities become these cages? The cities we inherit were not devoid of natural ecosystems that we still long to escape to.

Metropolis like Delhi, surrounded by what’s left of the biodiverse Aravali ranges are littered with old forests such as the Jahapannah, Sanjay Van and The Delhi Ridge that connect to a host of other ecosystems like ponds, lakes and wetlands. Despite experiencing ecological deterioration due to garbage dumping and rapid concretisation still support a staggering number of bird and flora species

Mumbai’s concrete jungles connect to regions like the Sanjay Gandhi National Park and to the tide pools along the coast which offer some of the most magical escapes to wildlife that has coped alongside.

Bangalore, once celebrated for its gardens and lakes - still have hope for revival and include its old ecological heritage in its urban design. Who would imagine Slender Lorri’s are still found in parts of Bangalore’s urban forests?

A natural world, waiting to be discovered is slowly finding a way to cope and survive alongside us.

Imagine a system that included these ecosystems in their idea of 'development'?

After all what important role do these ecosystems play besides maintaining groundwater tables, creating carbon sinks to regulate pollution, prevent soil erosion, provide flood security while also offering spaces to reduce stress and anxiety.

With all the cities mentioned above - plagued with crises that revolve around toxic air, depleted water tables and low happiness indexes - maybe it's time we go beyond beauty and begin understanding the role of ecosystem services to public health and wellbeing

* * *

“Tired of hearing repetitive narratives of how development is inevitable and impossible without including our natural ecosystems in their design.

Tired of hearing how ancient forests can be erased overnight and new ones planted in a span of few years. Guarantees included by our environment ministers.

Tired of listening to men in power, with absolutely no qualifications or relationship to the land, making sweeping decisions about the natural places that sustain life.

With so much focus on forests - what even happens to habitats beyond our understanding? Plateaus, mangroves, riverine systems, wetlands, swamps?

Returning to my drawings, to a world made of relationships nurtured by the Earth. Stories of communities that continue their long fight to safeguard their home”

To a land where the ghats embrace the sea,
Worlds unfold, a wild tapestry,
Forests dance, their secrets deep,
Mangroves whisper, stories they keep.

Tidepools shimmer with hues untold,
Plateaus secrets slowly unfold.
Khazans hum with life’s sweet song,
A union where all belong.

Creatures roam with ancient grace,
People thrive in natures embrace,
Abundance blooms in every part,
A cradle where worlds entwine,
never to depart.

For Echoes of Earth

In the interconnected ecosystems of Goa—encompassing a wide range of ecosystems including mangroves, plateaus, the coast, and the Western Ghats—an intricate web of life highlights the significant biodiversity within India’s smallest state. From a world where majestic beings like the Humpback Dolphins, Dholes, Sri Lankan Frogmouth, Olive Ridley Turtles, Gaurs, Flying Foxes, Otters, Mudskippers, Luna Moths, Atlas Moths, Dracos, Dancing Orchids, Purple Crabs, Indian Pythons and Eagle Rays roam free.

The Beacon Show,
26th May – 2nd October 2022
Seaford Beach | East Sussex

The Beacon Show exhibition spans 2 miles of stunning Sussex coastline in the town of Seaford, and features contemporary illustration by 9 of the worlds best loved contemporary illustrators, photography and written word.

Nestled between the bustling city of Brighton and the seaside resort of Eastbourne, Seaford is a gem of a beach with a rich history and wonderful community. This exhibition explores the wide range of people and organisations who make this coastline so unique.

From Sea Swimmers to runners, beach cleaners to bag pipe players The Beacon Show shines a light on the people who use and love our landscape. It features the organisations who care for its marine life, clean it's beaches, and enables elderly residents to enjoy the prom.


The Magical World of Seaford Head
”It's always heartwarming and inspiring to come across projects and communities that invoke public spaces with visual arts as a form of telling stories of one's land and people. As an artist, my heart swells when I get access to a project that allows me to take a deep dive into a well of stories that share our relationship to our biodiversity and its people.

Through this artwork, I share the magical beings and people that come to be a part of Seaford Head - viewers can discover and learn about all the many fascinating beings that also call Seaford their home.” - Svabhu Kohli

Mangroves are one of the fastest declining forests of the world - often consumed and considered expendable in our race to develop and engulf our coastlines. Their immense importance in protecting our shores from floods and sustaining our fisheries is forgotten.

Through this cabinet of curiosity, my artwork focuses on the astonishing biodiversity these forests, that belong to the water, hold within their entangled roots and mysterious canopies.

Mumbai’s urban jungle is home to a forgotten forest that not only allows the city to persist, but also creates room for nature to coexist and flourish.

Exhibited at the United Nations Climate Change Conference COP26 Glasgow 2021 official art exhibition - Art + Resilience: An Augmented Reality Art Trail

Presented by the Coalition for Climate Resilient Investment (CCRI)

With Mumbai at risk of being consumed by the sea as early as 2050, visual storyteller Kohli draws attention to the city’s mangrove forests and their capacity to lessen the impact of flooding. Highlighting the incredible biodiversity of Mangrove forests, the artwork speaks of the interconnection between indigenous communities and the health of our forests, oceans and rivers.

The Gateway of India is a triumphal arch on the eastern side of Mumbai city. It is a site of frequent flooding. Floods are expected to get more severe over time due to a strengthened monsoon season and sea-level rise. Currently, the site averages a half-meter of flooding every 20 years. If we do nothing (SSP5-RCP8.5), the severity of these floods is expected to double by 2050. Following the Paris agreement (SSP1-RCP2.6), this doubling is delayed by 35 years, to 2085. However, under all scenarios, investment in natural and manmade flood defences are required to protect the city and Mangrove forest protection can be one of the first steps to mitigate flood risks.

Illustrated two poems and the book cover for Collins Big Cat Phonics for Letters and Sounds features exciting fiction and non-fiction decodable readers to enthuse and inspire children.

They are fully aligned to Letters and Sounds Phases 1–6 and contain notes in the back. The Handbooks provide support in demonstration and modelling, monitoring comprehension and expanding vocabulary.

Dive into five memorable and funny poems. From incredible whales to an uncle with a terrible itch, you'll be sure to find a poem you like in this collection.

“If the Olive Trees knew the hands that planted them, their oil would become tears”– Mahmoud Darwish 🇵🇸🇵🇸🇵🇸

Olive trees are more than an economic cornerstone in Palestine; they symbolize a deep connection to the land. Contributing to 14% of the country's economy, they sustain Palestinian families and serve as a vital export. Amid high unemployment rates, family-owned farms, responsible for cultivating and pressing olives, are crucial for the livelihoods of around 800,000 families.

For every Palestinian, the olive tree symbolizes permanence and resistance. It connects them back to their ancestors who worked daily on their land, taking care of it, just as a mother taking care of her children. And in the tiredness of the harvest season, they regain all their strength through the abundant amount of gathered olives.

However, since 1967, over 800,000 Palestinian olive trees have been illegally uprooted by Israeli authorities, with more than 9,000 removed in August 2021 alone. These attacks, fueled by settlement expansions, leave families without a source of income. Trees are often burned in violent acts, and militarized forces restrict water access, particularly during harvesting season.

These trees and orchards hold a deep cultural significance, passed down through generations. Each October, families gather for the harvest, a proud tradition that echoes the care their ancestors bestowed upon these symbolic trees. The challenges faced by these olive trees mirror the enduring struggles of the Palestinian people.

As Bassem Youssef’s powerful words spoke - “Maybe, Palestinians themselves are an extension of the land . They are like the trees . You can beat them , you can pressure them , you can squeeze them and push them beyond any human limits. But they don’t die . Like crushed olives that produce green gold. And from death, a million lives will be born.”

'Terrarium' is a celebration of a flourishing self-sustained ecosystem, nurtured by communities that thrive in their mysteries and offerings.

Created for Sanctuary Asia’s 40th year in conservation.

Inspired by the incredible women who have brought me closer to the natural world - Terrarium is my ode to all the people working for science and nature in India, for I could have never witnessed or learnt about the magic of the forests and oceans without their sharings.

In celebration of Earth Day 2019, The London EDITION partnered with The Earth Issue on a week of programming and activations. The series began on 15th April with the unveiling of a site-specific installation by celebrated Indian artist Svabhu Kohli and continued with a series of panel discussions, workshops and wellness events all focused around the theme of environment and sustainability.

Kohli’s installation around the glass cube entrance to the hotel’s Lobby Bar was on display for one week, leading up to Earth Day on the 22ndApril. Kohli’s stylized illustrations of flora and fauna offered a dreamy glimpse into the artist's love of nature and imaginative approach to art. Wrapped around the glass cube entrance, the artwork uses an alternative to vinyl made from Polypropylene film, as it is the lowest environmentally impacting material. It is PVC free, can be recycled, and it contains only two elements of carbon and hydrogen.

Kohli’s installation around the glass cube entrance to the hotel’s Lobby Bar will remain in place for one week, leading up to Earth Day on the 22ndApril. Kohli’s stylized illustrations of flora and fauna offer a dreamy glimpse into the artist's love of nature and imaginative approach to art. Wrapped around the glass cube entrance, the artwork uses an alternative to vinyl made from Polypropylene film, as it is the lowest environmentally impacting material. It is PVC free, can be recycled, and it contains only two elements of carbon and hydrogen.

While creating this installation with The Earth Issue / London Edition and Graphical Tree for production - We used a sustainable alternative to vinyl stickers known as polypropylene film - a material that is both PVC free and can be fully recycled. a deliberate stance against single-use plastic and hope to do more for our home. As creators, we need to begin thinking of how we are developing our processes, the kind of materials we are engaging with and what impact they have on our surroundings.

In the beginning,

There was neither Being nor Non-Being

Neither sky, earth nor what is beyond and beneath

What Existed ? For whom ?

Was there water ?

Death , Immorality ?

Night, Day ?

A few months ago I was invited by Hudson Seed Valley to illustrate the story of one of my favourite leafy vines to grow, eat and make dyes with - The Malabar Red Spinach.

Our seed packs have just been released along with a limited edition art print that you can now purchase from their website, head over here to purchase the artwork..

Red Malabar Spinach

A beautiful and tasty heat-tolerant edible ornamental. Malabar Red Spinach - native to tropical regions in Asia, this vigorous climbing vine serves as the perfect spinach substitute when the weather heats up.

Red Malabar’s vining habit, gorgeous red-purple stems, sweet pink flowers, and rich purple-black berries are very attractive; grow this vine for a quick privacy screen or as part of an edible landscaping plan. The berries are edible (although not super flavorful), and they make a wonderful deep-purple dye for food or textiles.

What memories do we hold of our forests and how do these landscapes shape us?

'By the time workers have picked a field, tens of thousand of words have flown from mouth to ear. part of the landscapes mind - its memories, connections, rhythms - is thereby held in human consciousness. Work among the olive trees does more than yeild oil - it creates and deepens the stories from which are made human and ecological communities. ' - Song of the trees

As the government continues to sell and claim land for large scale development projects over our last standing wildscapes - what will be left of our identities once these are lost irreversibly?

Read full story here - ‘Wetland Champions - Story of a river bed, a geological marvel and community pride by Manjula Nair.’

For the people of Bori Budruk, the geological term ‘tephra’ is a local legend.

The village, around 100 km from Pune city, is nestled along the banks of the Kukadi river. With a population of around 6,000, the village residents are all well versed with the technicalities of the geological term – tephra – the dust-sized particles from a supervolcanic eruption that travels long distances in the atmosphere and settles over time into a sediment layer.

At the forefront of the battle to protect the unique river bed, are Pushpa and Amol Korde. Pushpa has been the village head for a decade and together with Amol, they have been implementing plans to protect their eco-heritage.

Read more about this fascinating story here

Illustration for The Lost Explorer
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Lands dipped in stories of the past.

Ocean, my heart.

Limited edition archival prints available on museum etching paper 350GSM or canvas.

“I had always heard of the Olive Ridley nesting sites across the Western and Eastern Coast of India through conservationists and friends. We heard of them coming from the seas in thousands and safely nesting across soft sandy beaches under moonlit starry skies, laying eggs through the night and returning to the ocean — and it all sounded so magical. I couldn’t wait to experience it. Today, the Olive Ridley turtles are facing severe pressure to survive from the increase in the commercialisation of coastlines and fisheries across the Indian Coast. Lack of protection laws and awareness in India has led them to be endangered.

A few months ago, while volunteering with a nesting site on the western coast, all these realities came to life — the number of nests had dropped down to a handful of protected nesting sites encroached by shacks, tourists and fisheries. The survival ratio of these turtles is 1:1000 which by nature maintained a perfect balance in their populations, but their fight with the current environment has dropped the numbers released in the ocean to a few hundreds, leading them towards extinction. These beautiful creatures travel across distances and come on land to continue the cycle of life.

‘All or Nothing’ to me is realisation that the world we call home is equally shared by all the living beings. We must thrive on this planet as a cohesive system respecting the cyclic form of nature and leave behind a world better than the one we found.”

Roots, looks into the deep symbiotic relationship between the growers of our food and the health of the bodies you and I inhabit. Experiencing the lockdown revealed a fractured system of food supply and an already ignorant relationship shared with local produce — its growers and the protection of their lands and resources.

Farming is a hard job and millions of growers tend to the land, performing hours or back-breaking work in erratic climatic conditions to provide us with produce that we take for granted.

Through my piece — I look at the manifestation of the seeds that are cultivated in the landscapes of our bodies and minds with each local meal that brings us energy to sustain and appreciate our lives — only because a grower exists out there in these challenging times.

Commissioned for @artandfound.co @smilefoundationindia and powered by @lays_india who are taking an initiative to thank the unsung heroes of India for their dedication during these trying times through their campaign - ‘Heartwork for Artwork’

I’m doing my bit by donating an original limited-edition piece of 5. You can purchase this artwork from https://www.artandfound.co/roots-by-svabhu-kohli/6639

100% proceeds from the purchase of these artworks will go into providing hygiene kits to essential workers.

Article illustrations for Current Conservation Magazine 12.2, themed around marine/water pollution in India.

The article titled 'Debris' outlines a series of episodes the author - Rohan Arthur has with pollution in different parts of the country, painting vivid images of India’s marine pollution crisis in a dream-like, poetic feel.

About Current Conservation
Current Conservation communicates conservation-related issues and science in an accessible manner to a wide audience. Our magazine carries the latest in research concepts and news from both the natural and social science facets of conservation, encompassing ecology, wildlife biology, conservation biology, environmental history, anthropology and sociology, ecological economics, and related fields of research. Our articles are illustrated with unique artwork, infographics and photographic images from contributors across the world. With writers and contributors from diverse disciplines, each issue carries as much variety in content. The magazine targets interested members of the general public, who can subscribe to the hard copy for a nominal fee. We publish one issue each quarter; all our content is also freely available online.

Current Conservation is published by an informal alliance of organisations to promote interdisciplinary research in conservation and to foster communication among scientists, students, resource managers, educators and policy maker

Ziggy Alberts is a coastal folk, singer/songwriter, free surfer & environmental enthusiast from the East Coast of Australia. He sings heartfelt stories of personal endeavours and experiences, oceanside upbringing, environmental issues and life on the road.

The illustration was created as a stage & tour artwork design for his Tell Me EU Tour travelling in and around Europe in 2017.

The artwork formed a 7 x 7ft wide stage backdrop and was also imprinted as sustainable merchandise on 100% organic cotton, fair trade certified t-shirts, tote bags and beeswax eco wraps sold at the tour.

Ziggy Alberts is a coastal folk, singer/songwriter, free surfer & environmental enthusiast from the East Coast of Australia. He sings heartfelt stories of personal endeavours and experiences, oceanside upbringing, environmental issues and life on the road.

The illustration was created as a stage & tour artwork design for his Heaven AU Tour travelling in and around Australia in 2017.

The artwork formed a 20 x 17ft wide stage backdrop and was also imprinted as sustainable merchandise on 100% organic cotton, fair trade certified t-shirts, tote bags sold at the tour.

Ziggy Alberts is a coastal folk, singer/songwriter, free surfer & environmental enthusiast from the East Coast of Australia. He sings heartfelt stories of personal endeavours and experiences, oceanside upbringing, environmental issues and life on the road.

The illustration was created as a stage & tour artwork design as my first collaboration with him for the Start Over Summer Tour’17.

The artwork formed a 7 x 7ft wide stage backdrop and was also imprinted as sustainable merchandise on 100% organic cotton, fair trade certified t-shirts, tote bags sold at the tour.

Tokyo’s iconic beverage - Hoppy invited my work to be a part of the ‘Hoppy Art Land’ series with some amazing talent from across the globe.

The artwork was created for the month of June celebrating the monsoon and the gorgeous hydrangeas that bloom across the country.

インドのヴェーリャ・ゴアを拠点に活動するスヴァフ・コーリ。海や自然をインスピレーションに、円形をベースにした描画に定評があり、デジタルアートと水彩画を融合した独自の世界観で注目を集めています。今作では、ホッピーの象徴的な瓶の中から溢れ出る日本の梅雨をインスピレーションに、美しいアジサイの花が咲き誇るを様子をホッピー提灯と共に描いてくれました。彼の繊細なアート表現と日本の季節を見事に融合させ、「今回の作品作りで日本の遺産と文化に改めて感銘を受けた。幼い頃から日本のアニメやファッション、食文化などに親しみが深かったので、いつか日本を訪れたい」と語ってくれました。

From a forested fishing village to a posh urban suburb in Mumbai; Bandra has had quite a journey where remains of its old Portuguese villages still stand amidst the rapidly growing urban landscape. This map shares all the little things and spaces that tell Bandra’s story as she’s grown with us.

Available on Kultureshop as archival prints.

Commissioned album art ‘Bloom’ for Chymes Music

21 year old songwriter Kiersten Nyman and producer Cameron Taylor, have found a sweet spot by experimenting with each other’s contrastingly dark lyrics and playful innocent sounds to create what is uniquely Chymes. The pair have shown their instinctive and rare ability to draw a listener into their own intimate world.

Full of gently flirtatious beats and haunting lyrics, Chymes have a unique brand of electronic-pop from Australia that has captured an audience around the globe racking up 3 million + streams across Apple Music and Spotify since their debut EP in 2016.

For he who sleeps
where the mountains weep

I’ll come and find you
as you sleep

forgive me o giant one
as I have to feed.

Commissioned artwork for The Wall Street Journal’s piece - Tyranny of trees

Illustrated billboard design for Oscary Wylee - an Australian based eye-ware brand. These illustrations were displayed across subway stations and metro stations in Sydney and Melbourne through December 2018.

I CARE FOR EYE CARE
For every pair of frames you purchase from Oscar Wylee, you'll help provide someone in need access to affordable eye-care.  They work with established partners around the world who are committed to making the biggest impact possible with the support they provide.

Behance Japan Tokyo community nominated me in 2015 to contribute for an important cause of energising villages with Solar Lanterns - The community collaborated with artists from across the globe to create illustrations and visual stories around the theme of The Luminary Zoo - my vision shares the beauty of our magical singing giants - The Humpback Whales.

The Artwork found a home in Sone Village, Indonesia

The forest spirit awakens.

69 ARTISTS COME TOGETHER TO RE-IMAGINE 69 YEARS OF THE JOURNEY OF INDEPENDENT INDIA. YEAR BY YEAR. 

On 29 August 2006, a 90% iron meteorite fell near Rawatbhata, Rajasthan Atomic Power Station and was discovered by two shepherds. This impact could have caused devastation on an unimaginable scale, reported GSI scientists. Had things gone differently, this spectacular event of discovering one of the rarest meteorites could have also been a disastrous occurrence of our time." ~ Svabhu Kohli

India completes 69 years of it's independence on 15th August this year. A lot has happened in these years, and a lot more could. Indianama is a documentation of events and stories, told and untold. Of folklores that shaped the country to it's present avatar. We invited 69 artists to come together and be a part of this journey - Animal

The Indianama exhibition was first exhibited in New Delhi and further at the London Design Festival 2016

Nudibrach Species